Cover Stories – Connor Quinn and the Swan maiden

The story of Connor and the Swan maiden follows a familiar theme in folktale and one which some might find problematic in these times of heightened awareness of the power imbalance between male and female characters in so many traditional stories. 
(Although I think if we tidy up and ‘correct’ our traditional tales we are potentially just pretending these things never existed/don’t exist, better to be aware and discuss and also look for the stories that subvert these ideas, they are out there…) 

In ‘Connor Quinn and the swan maiden’ the protagonist manages to capture a shapeshifting Swan woman by picking up her cloak and they marry. Many Selkie stories have a similar theme, the man usually concealing the Selkies sealskin to force her to remain with him. 

But Beatrice (for that is the swan maidens name) is no passive victim here, she has power and agency, she is self assured and unafraid and her marriage to Connor is a bargain she strikes on her own terms.

Beatrice could leave whenever she wanted to, her feather cloak hung in her own chamber in plain sight to all. But she chooses to stay, honour her bargain and sample the human life for a while, (including bearing children for what I suspect from the story is the first time in her long life) maybe she stays out of curiosity? perhaps to punish her sisters for fleeing so readily when she was captured? The opening paragraph of the story makes it clear that her connection with them is a very close and elemental one but she then cuts them from her life very thoroughly for a while.

Personally I think it is curiosity, she has observed humanity for millennia and is looking for new experiences and new ways of being. To me she is a powerful nature spirit, uncompromising in her desires and decisions, when Connor breaks the terms she has set out she leaves immediately, taking their two children and rejoining the sisters whom she has shunned for seven years. 


Beatrice is unashamed in her nakedness, she is unashamed of everything. There was no other way she could be for me. As she emerged almost luminous from the dark background I found myself a little in love with her myself, well, a lot in love with her to be honest. I took her to be framed immediately after scanning and she now hangs at the top of my stairs to greet me every morning. 
I often wonder whether the heady, erotic opening passage of this story and the feeling that perhaps I was potentially looking at Beatrice through Connors eyes were what made me develop such a passionate attachment to this piece. But this is not a male gaze here, it is my gaze. My connection with her is of a different nature I think. I would be interested to know how you respond to her as well.

She does seem able to connect with other women too, when I asked Rab Fulton for permission to reproduce her story here, this was part of his reply:

‘Your illustration added so much to the Galway Bay Folk Tales Book, and it still inspires me it is so beautiful.

I recently showed your illustration to a women’s group in Galway. The group is made up of a mix of Traveller and Migrant women. I work with them to help them create stories for their children and friends.Anyway i wanted them to begin talking about folk tales. I deliberately chose not to tell them the story as i wanted them to make their own story using their own ideas and experiences. Instead I showed them your illustration to start a conversation going – and they were awestruck. It was incredible how your illustration really touched something in them and ignited their imaginations. So they’ve been working on a new swan maiden story, which we hope to publish in 2018. If you’d like to see a draft of that, give me a shout and i’ll send it on to you.’

And here is the story in full, reproduced with the kind permission of Rab Fulton from his book for the History press of Galway Bay Folk tales. 

Connor Quinn and the Swan maiden 
  

One day as the light was fading Connor Quinn walked the length of the lake of his estate. When he came to the ancient ruins of his family’s ancestral home, he sat down and looked at the water stretching away from him. A gentle breeze cooled him. The sun was low on the horizon and the rippling water glowed red and gold. As he rested he saw three swans moving gently on the water. Each bird was attired in feathers as white and dazzling as midnight stars and they moved with a grace and nobility that showed their superiority to any of nature’s other creations.
​As the creatures drew closer to the shore Connor was touched by a deep and terrible melancholy. Compared to the perfection and contentment of the three birds his struggle for wealth and power seemed pitiful. His whole live had been dedicated to bringing renewed honour and status to his family, but suddenly he understood that his name and his history had no more importance than a speck of dust in a giant’s eye or grain of sand in the hand of God. The swans, on the other hand, seemed to Connor to exist with a complete disregard to the limits of time and space.
​The swans moved across the lake, drawing nearer to the shore were Connor sat. The young man wiped his eyes and carefully hid himself behind a broken wall. Sending a wish and a prayer out to the infinite he peered over the ruin and saw, to his delight, that the swans were now stepping onto to the grassy bank some thirty or forty feet away. One of the creatures nodded its heads and stretched out its great white wings. Connor was horrified to see hands suddenly sprout out from the middle of the creature. With a sickening rip the hands tore the swan open and out stepped a young woman. The swan’s form was now nothing more than a beautiful cloak, which the woman folded with great care and placed on a rock at the water edge.
​The two other swans likewise opened up to reveal two more women, each of whom likewise folded her robe and placed it on the rock. The three women walked away from the lake until they came to a flat piece of ground only a few yards in front of Connor. Each of the women was similar in appearance, with copper skin, thick black hair and dark eyes. Even the curve of breasts and the musculature of limbs were replicated in each of the women. The only difference seemed to be in age, and so Connor knew that the three were sisters.
Before the gaze of the astonished young man the three swan women formed a small circle, facing outwards and clasping each other hands. First they dipped and curtsied, then stood upright and stretched towards the red and purple sky. It seemed to Connor that some invisible force was connecting the three for they moved with such perfect synchronicity: when one bowed, her sisters did the same; when one bent a knee, whilst stretching her arms wide, the movement was perfectly and instantly replicated by her two companions.
Then, with a gleeful yell each released her grip and leapt forward. Mesmerized Connor watched the youngest of the sisters stomp the grass with her naked feet, then slap her hands on the naked flesh of her thighs and belly. Her sisters too were yelling and jumping in a frenzy, their skin glowing scarlet in the dying sun’s light, their hair a wild raven black aurora. As they spun and screeched sweat spun off the tips of their fingers and the point of their breasts and their musky scent filled Connor’s nostrils and mouth, choking him and filling him with terror and lust and white hot sparks that blazed through his groin and his gut until in a sudden rush of madness he scrambled over the rock and ran roaring towards the women.  
With a yelp the maidens ran to the lake. The older two grabbed a hold of their cloaks and in an instance transformed into swans. The younger sister tripped only a few feet from the rock. She cried out for help but her two sister beat their great white wings and took flight. Connor jumped over the fallen woman and snatched her swan cloak. With that he turned and walked all the length of the lake back to his own grand house. Not once did he turn around, for he knew the young woman had no option but to follow him. When he arrived home he went into his hall and walked towards the great hearth were logs blazed and spat. Holding the cloak before the fire he turned and faced the swan maiden.
There she stood in that great hall, with its tapestries and furnishings from all the corners of the world, with a hundred candles glittering and the great oak beams overhead. There she stood naked and defenseless, but no tears spilled from her dark eyes. Instead she stood proud and wary looking first at her cloak and then directly at Connor.
‘I know what you want Connor Quinn,’ she said, ‘And I will be your wife, your willing wife, but only if you do two things for me. You must give up gambling for it is a childish folly and I have sworn never to become the bedmate of a fool or a boy. And you must never bring a member of the O’Brien family into this house, for they are an enemy to me and mine.’
Connor rang for a servant and asked for a bible to be brought for himself and clothing for swan maiden. He swore then to keep his side of the bargain and smiled as he made his pledge. Gambling was a pastime he good easily forgo, and the O’Brien family and Connor’s family had for many centuries been the bitterest of foes and none had ever stepped a foot into the others dwelling.
​So it was that Connor married the swan maiden. After they were wed Connor gave his wife her own chamber that opened onto the great hall. It was only then that she let him know her human name, Beatrice. The chamber contained everything a woman would need for comfort; a great bed, soft chairs, a box of sewing material, a rope to summon a servant at any time of the day or night. There was a large window that looked over the lake, and hanging from a hook on the wall was the beautiful swan cloak. Connor kept to his side of the bargain and his wife to hers and the cloak remained untouched as the months and the years went by.
​Many sages have written and sang and extolled the innumerable virtues that go toward making a marriage successful. None though have ever mentioned the benefits of mistrust and uncertainty. Yet it was these two attributes that helped bring closeness between Connor and his wife. Having committed to sharing a life together they both were not sure what to do next. In the weeks following their wedding they kept a resentful distance from the other. Each assigned malign motives and desires to the other that with every day became blacker in the imagination. When finally they confronted each other it was only to discover that their fears lacked any foundation.
​From that moment they both were more careful and attentive of the other’s needs. One morning Connor came into the hall to find his table had not been set for breakfast. A servant was called for and an explanation demanded. ‘The mistress of the house asked that we lay the Master’s meal out in her chamber’ explained the serving girl.
​Connor went into his wife’s chamber. There they both sat facing each other, a small table between them. They ate a little; they drank a little, and said not a word during the meal. With the meal over Connor attempted to break the uncomfortable silence.
‘If you wish, I could have food put out by the lake for your two sisters.’
‘That pair, they’ve food enough. What they need is a stick across their backs.’
‘Why?’
‘You know why. When I needed them most they fled.’
‘Would you rather return to them?’
‘Oh Connor, do you want rid of me now?’
‘No. But I would not have it said that I forced you to live a life filled with sorrow.’
‘And I would not have it said that I broke a pledge.’
‘So you will stay.’
‘I will.’
‘In which case,’ declared Connor with a grin, ‘I will get a stout stick to teach your sisters a lesson.’
Beatrice smiled and shook her head. ‘Oh dear husband, I pity the man who ever tried to hurt me or mine.’ She put her hand on his. Her skin was soft and her grip firm. She kissed Connor on the cheek. ‘If you are free this evening, perhaps you would care to join me for supper.’ Sparks shot through Connor’s belly, and he laughed at his fortune and his folly. ‘Maybe,’ he said and kissed his wife’s hand.
A year after they were wed husband and wife were sat at the breakfast table. The previous twelve months had seen a change in Connor’s fortune. Investments yielded stunning returns, merchants up in Galway City begged his patronage, powerful men took account of his views on the great politics of the state. Good fortune seeped into the very soil he walked on and the air that he breathed. His lake was packed with large and sweet tasting fish, the trees appeared wider and their foliage thicker. There was less sickness amongst his tenants and none could recall when last his crops had been bigger and more abundant.
‘Who knows,’ said Connor, ‘ maybe one day I could regain all the land my family once controlled here in Munster and up in Connacht. It would only be fitting; Queen Medb was my ancestor after all.’
‘That would explain your nose,’ said Beatrice. ‘I thought I had seen it’s like before.’
‘Dear wife, you must be very distracted. Queen Medb lived a thousand years ago.’
‘Was it that long ago? How strange.’
Connor took a bite of meat. His wife frowned, looked at her husband.
‘Husband, I have unexpected news that terrifies me almost as much as it fills me with joy. I have a child in my belly.’
The birth, when it came six months later, was a long and agonizing enterprise. After twelve hours a trembling serving girl was sent with a message to Connor as he paced the great hall. ‘The mistress fears she is dying, and begs you give her a good and Christian burial.’
‘Can I see her? Should I call for her sisters?’
The serving girl curtsied and returned into the mistress’s chamber. The door had no sooner shut than a shriek of pain and rage resounded through the building. The serving girl stepped back into the hall. ‘Begging your pardon Master, but the Mistress says that you need not attend to her yet, nor send for her sisters.’
‘What were her exact words,’ demanded Connor? The girl’s face reddened and she shook like the final leaf on a tree in an autumn storm.
‘Come,’ said Connor gently, ‘a penny for an honest answer.’
‘Well, begging your pardon master but the mistress only shook her head when I asked if you could see her. When I mentioned calling for her sisters, her reply was more loud and fulsome.’
‘Her exact words please.’
‘To be exact she said “My sisters can go to hell, and take the fool that dares consider inviting them.”’ Quickly the girl added; ‘The midwife asked me to say that the mistress’s response shows her strength and resilience.’
Connor laughed in relief and handed the girl a coin.
Beatrice endured ten more hours of pain, stabbing like a blade into womb as her body pushed and kneaded life into the child. Ten hours she suffered as none of her kind had ever suffered before. Ten hours of arduous agonizing journeying into motherhood and womanhood, with death and life alike attending her, each offering peace or punishment as the mood took them. At last a final scarlet stab between her legs and suddenly Beatrice was free of weight and of worry, as the wailing child was placed on her sweat soaked breast. ‘Tell me husband he has a son.’
​It is a rare achievement to balance ambition and contentment, yet for seven years Connor manage to do precisely that. Eighteen months after the birth of his son, Beatrice bore him a daughter. Now Connor had a child to inherit his estate and a child to offer in political marriage. Yet political calculation did not blunt the affection Connor felt for Beatrice and his children. As his income grew, so the great hall filled with the sound of merriment as the children crawled, walked and ran circles around parents and servants.
During summer the family walked the length of lake, taking food and drink to the ancient ruins. At first Connor was afraid to return to those ancient stones. ‘It is important,’ explained Beatrice, ‘that we make that spot ours. My sisters must understand they have no ownership over any of this land. It belongs to you, my husband, and you alone.’
The swans were seen on the first family expidition. They floated on the waters white and magnificent, paralleling the progress of the little group. The oldest child had stopped to look at them. They stopped too, to stare at him with their black eyes. Beatrice had grabbed the boy’s shoulder and hissed at the birds. They flapped their wings and took flight. That was the last time they disturbed the family picnic.
No matter how many times they visited the broken ruins, Connor always began the picnic with the same words. ‘Here is where I first met your mother,’ he would explain to his children. ‘She was dancing.’ Each time he said this he sounded astonished as if only realizing for the first time how blessed he was. Beatrice, for her part, would grasp her husband’s hand and laugh, ‘Oh, grá mo chroí.’  
Exactly seven years after he had first saw his future wife dancing with her sisters on the banks of the lake Connor kissed Beatrice and his children and promised to bring them a little something when he returned in a few days time. It was the season for horse racing, a time when the powerful meet to shake hands, slap backs, cut deals and quietly or boldly – depending on the disposition of the men involved – shape the politic and commerce of the land. Connor never missed a festival and though he never enjoyed a flutter he sponsored a number of celebrated races.
As well as the sports on and off the racetrack a racing festival was (and is to this day) the arena in which all men, from the meanest labourer to the wealthiest banker, could observe whose influence was waxing fat and full and whose influence was on the wane.​Connor’s prestige was clearly on the rise; he was a figure to be observed, pointed at, and, if lucky, win a shake of the hand from. With the last of the day’s meetings finished the great men of the west retired to a tavern, to eat, drink and assess what hand Fortune dealt to each of the day’s players. Connor’s successes that day included an amiable discussion about the sacred and societal importance of marriage with Mayor Lynch of Galway, who after many childless years had recently been blessed with a son. Connor ate well and drank deep.
As the night wore on ever more men packed into the tavern. Candles sputtered and smeared the hot gloom with a thin and smoky light. The air was thick with the reek of horses and earth, of onions and stewed meat. The festive banter was punctuated with laughter and shouts and the occasional thumping of the table. In the midst of all this a cheery voice called out ‘Is Connor Quinn so elevated above us he cannot enjoy a bet on the horses like all us mortal men.’ To which Connor replied equally merry, ‘A drink for that man to dip his tongue in.’ But his heckler was not satisfied with the tankard that was placed in front of him.
​‘In all seriousness Connor Quinn, your behavior is troubling. If the greater can’t spare a coin on chance why should the lesser. If we all followed your example no risks would ever be taken. Nothing ventured as they say and nothing gained. Soon it would all be stagnation from Ballyhannon to Belmullet.’
​‘Of I have taken many a risk in my life and made many a gain as many of these gentlemen will testify. I have more than enough coin and would not take the chance for gain away from others. Indeed happy as I am in life I now extend a drink to everyone in this fine place!’
​‘And doubtless you would ask us all to raise a glass to health and happiness of you and your good estate.’
​‘Not at all. I need no more joy and wellbeing. As for my estate, how could it b e any better. The trees on my land are bigger than houses. So many fish are packed into my lake that you could walk across their backs and never wet the soles of your feet. My home is filled with tapestries from the Indus and beyond, and furnishing inlaid with gold and ivory. My son is as handsome as a prince, my daughter as happy as a princess, and my wife as good and as fair as an angel from heaven.’
​The stranger stood up with a suddenness that knocked his fellow imbibers sideways. ‘Gentleman, listen to the great Connor Quinn. The way he talks you would think he was one with God and our savior. Maybe he should be given an ould bit of mackerel to turn it into a feast for thousands. Or perhaps we could ask him to turn a basin of dishwater into a casket of finest Spanish wine.’
​No one laughed. Not a voice was raised in agreement or dissent. Every man there, from the labourer to the overseas trader, remained silent as Connor stood up and carefully gave his reply. ‘Stranger, if you are as honest a man as you are foul mouthed, you will come to my estate now and see for yourself that I spoke the truth. You will then return to this place and tell these gentlemen that every word I spoke was free of falsehood and exaggeration.’
​‘I accept the challenge. What’s more I will add another round of drinks for these good witnesses.’ With that the stranger took out a purse and spilled gold coin on to a plate. ‘This should keep everyone in good form until I return.’
​Connor and the stranger got up on their horses. As they galloped across the country, trees grabbed at their hats, and hedgerows at their boots. Above them the moon and stars shook and shone as white and bright as swan feathers. It was only when they arrived at Connor’s estate that the two riders allowed their creatures some rest. Trotting along a laneway, Connor gestured to the trees on either side. ‘Big as houses, as I said. And look over there, observe the lake. You can see the backs of the fish glinting in the moonlight.’  
​When they came to the great home, Connor invited the stranger to lay a hand on the stonework and take a look at the turrets and carved figures leering down from above. ‘It would take a morning to walk around this building, and a hundred years of to knock it down.’ The stranger nodded but said not a word.
​Inside, Connor showed the stranger his great furnishings inlaid with precious metals and jewels, the tapestries from the furthest corners of the known world, the hearth open like a vast mouth in which a great yellow and red flame licked and lolled ‘The fire and the candles are always lit, no matter the hour or the season,’ boasted Connor Quinn. The stranger nodded and finally spoke.
‘I admit to being impressed. You spoke the truth my friend.’
Connor gestured to the two chairs by the fire. Between the chairs was a small ornate table, on which Connor placed two glasses and a decanter of whiskey. ‘I am glad to win your approval; you will of course transmit your opinions to the witnesses.’
‘Of course,’ said the stranger with a smile. ‘I give my word as a high ranking member of the ancient and noble O’Brien family.’  
Connor trembled with dread. He tried to speak but his mouth was dry and his tongue swollen and heavy. Unable to breathe he yet forced himself to fill the glasses. With the taste of the whiskey he snapped back into a semblance of composure. Another drink was poured. With a merry ‘Slainte!’ Connor clinked his glass against O’Brien’s. All was not lost, his wife and his children were asleep in their chamber. He need only remove his unwelcome guest as quickly as possible and all would be well.
‘It is well that an O’Brien has visited my home. Our families have spilled too much blood and anger over the centuries. Let us drink to our mutual good fortune and continuing prosperity. Let us also commit ourselves to meeting again at a more hospitable hour.’
Connor stood but the O’Brien remained in his chair. He stretched out his legs, took a sip of his whiskey, gazed at the fire. Finally he turned to look up at Connor. ‘Well I guess I should take my leave now. There is a tavern filled with gentlemen who are awaiting my honest assessment of your possessions. I will, on my word as a gentlemen and an O’Brien, tell them that everything you said was true. That your trees are as big as houses; your lake packed with fish a man could walk across the backs of. I will tell them about your rich furnishings and delightful tapestries. I will tell them about the blaze in your hearth and the glitter of your candles. But I will also make sure to tell them, on my word as a gentleman and an O’Brien, that yours Connor Quinn is the worse hospitality in the whole of Ireland. Never before has my mouth suffered such a brief acquaintance with another man’s uisce beatha.’
Connor sat down again. A true gentleman, he would rather a knife in the belly than such an indictment. Wounds can be recovered from and scars displayed with pride, but a reputation for frugalness in a host is an injury as evil as it is fatal. ‘Ah now O’Brien, you need only have said that you had time enough for a proper welcoming. There is more whiskey in the cabinet over there and some cheese and fruit, though it would be my pleasure to wake the kitchen and have a more substantive supper prepared.’
‘Whiskey and cheese sounds a grand enough supper. Go raibh maith agat.’
The two men ate and drank and drank and ate. Connor kept his voice low and was grateful when the O’Brien follow his example. The whiskey, as whiskey does, induced a conviviality between the two men. Connor wondered why he had not met his guest before, and his guest explained that he had been raised in the court of England. ‘I have returned to oversee my family’s commission to control piracy in Galway Bay. My approach is more one of regulation that eradication. But even in England I heard news of your own improved standing in life. What is the secret to your success’
‘A good and loving marraige,’ declared Connor. ‘Ni ceart go cur le cheile!’
O’Brien raised his glass in agreement, ‘It is very true. Only unity bring strength. But I see you glancing towards that door there. Is that where your wife rests.’
‘My wife and my two children.’
‘Well,’ whispered the O’Brien. ‘Let’s finish the evening soon, and finish it as strong friends.’ He took a packet of cards from his pocket. ‘Let us play a quiet game Connor Quinn, before I go out to tell the world of your honesty and good fortune?’
The guest dealt the cards and the host happily picked up his hand. They play in silence, the only sound in the vastness of the hall the slurp of lips imbibing, the clink of glasses touching, the sigh and snap of cards playing. Connor won a couple of hands; the O’brien likewise. After a while the O’Brien spoke softly. ‘What is a game between friends without a little flutter…?’ Connor agreed and the game began in earnest.
Both gentlemen remained polite and outwardly affable, but it the game had changed into a competition as savage as any battle or politicking. At first the men were equally matched in intellect stamina, but as the whiskey brought weariness and confusion to Connor, the O’Brien became ever more focused and full of vitality. The hours crawled by as Connor first lost his wealth, then his land, then his beautiful furnishings and tapestries. In a last desperate bid to win it all back Connor lost his grand house.  
The O’Brien sat back in his chair and raised a glass to his stupefied opponent. Connor was numbed and shocked at the massive and utter reversal of his fortune. When he heard a door slam he leapt up in terror, grabbed a hold of the O’Brien and dragged him across the hall. ‘To hell with hospitality!’ he roared and threw his enemy out into the cold pre-dawn darkness.
He walked back into the hall, placed a hand on the door of his wife chamber. A great fearful melancholy echoed through his belly and heart. Wiping away tears he opened the door.
​His wife was standing by the open window. Outside the sky was grey and purple. The two children stood in front of their mother. Behind Beatrice stood two woman with feathery capes draped over their shoulders. Connor reached out to his wife, but one of her sisters opened her mouth in a wide terrible grimace and hissed. The other sister took the swan robe from the hook it had rested on untouched for seven years. She placed it on Beatrice’s shoulders. ‘You have no more hold on me,’ wept Connor’s wife. Before his eyes she and her sisters began to mutate into great white birds. As Beatrice’s arms transformed into wings she touch her children and they two began to change.
One by one the five creatures leapt up to the window and flew off into the blood red sky of the new morning. And that was the very final ruin of Connor Quinn.

https://druidlife.wordpress.com/2018/06/24/painting-the-tales-a-review/

Lovely review of Painting the tales here… And below a few other comments I have received.

‘Just received this beautiful book in the post, rich in myth, folklore, and nature’s magic. Congratulations, Kate! Thank you for all that you do to keep wonder alive in the world’
Terri Windling.

It’s lovely, and I’m very pleased SUFFOLK is on the cover!
James Mayhew

Katherine Soutar is a prolific and sensitive artist who has been commissioned to supply the cover illustrations for The History Press’s series of Folk Tales and she has now followed the commission with a lovely publication of her work, telling the tale of The Tales. A beautiful treasury of images that reference the stories within, with simple but stylish typography and layout, something to be proud of. Anyone for a good tale?

Robert Hallmann

Beyond The Border Wales International Storytelling Festival

I really enjoyed meeting Nikky and being interviewed by her. A lovely human with amazing energy, I look forward to hearing much more of her story in future….

Storybooking

I attended and performed at Beyond The Border Wales International Storytelling Festival and created a plenary poem capturing soundbites and the atmosphere. There was an eclectic mix of narrative performance explored through live music, literature and traditional storytelling.

Beyond The Border celebrates the finest musicians and storytellers from Wales and the World, including Sweden, Finland, Italy, India, Belgium, Norway and Palestine….

Expect fables and myths, music and magic, love stories and laughter, fun and games for children and fairy tales for grown-ups, all in the beautiful grounds of our castle by the sea.

I managed to have a chat with legendary storyteller Taffy Thomas MBE, the mysterious illustrator Katherine Soutar and the magical Tinc Y Tannau. Take a listen to the audio interviews, the poem I created and join the conversation…

TAKE A LISTEN HERE OR PLAY THE PLAYER BELOW

Photos include Taffy, Katherine, Tinc Y Tannau and the festival…

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Desert ramblings, inspirations and invitations

As some of you may have already noticed I am very fond of Morocco…

Since my first visit in 2015 I have returned many times to this beautiful, vibrant and friendly country. Most often travelling to the deep Sahara in the south to spend time with my Saharaoui friends camping, camel trekking and learning about nomad traditions and culture.

I have also spent time collecting stories, sharing my art and making paintings, sketches and photographs for an illustration project I am working on, which hopefully will one day become a dual language book.


Another abiding passion of mine is the study of natural history. As a child I went everywhere armed with a net, a plastic box and a copy of ‘The young naturalist’in the hope of finding something new I could take home and identify ( my very patient Mum could tell you some stories about my adventures…the wardrobe of flies…the bucket of toads…the paint tin of dragonfly nymphs….I was a one child biblical plague at times!) 

I now take only my camera, which is better for the wildlife, for me and certainly for those I share a house with…and spending so much time in the desert has given me the opportunity to rediscover that childhood joy and wonder at seeing new wild things for the first time. Taking so many photographs has also led to me thinking about them as more than just source material for illustrations or an aid to identifying wildlife or plants and I have become interested in them in their own right. So I was delighted when one of my desert photographs was selected to appear in the beautiful book of Celtic and Arabian stories and photographs produced by the confluence  group. (You can learn more about them here http://www.confluencetheworld.com)
 It was taken at a nomad camp I visited in Chegaga in April 2017


The book also features my first original story, The fox and the moon, which I wrote after seeing a wild Fennec for the first time.
I love this wild and beautiful place and have enormous respect for the people who live there and know so much about its moods, it’s landscape and its inhabitants large and small. Walking and camel riding through this stunning wilderness then camping under the stars and waking in the soft light of dawn to find the tracks of Jerboa, Fennec fox and scarab criss crossing the dunes until they are smoothed away by the morning breezes is a very special experience.

I wanted to be able to share this with like minded souls so together with my friends there I have set up a small family run desert tour company so we can give people the chance to experience the desert first hand. 

If you would like to travel with us to the desert to share these moments, looking for the flick of a sandfish diving into the dunes, listening to the soft plopping of camel feet across the sand and watching the magic that is the creation of sandbread, at which my friends are experts, you can! 

Go over to http://www.campsahara.com to  check out what we can offer. For artists and photographers the desert is an exciting source of inspiration and focus and I am happy to provide art tutorial by prior arrangement, just bring along your sketchbook and sense of wonder.

Morocco Art Escapes

This May I am bringing together two things that are very special to me, sharing my skills and love of art and my deep affection for Morocco. By accepting an invitation to teach on Art escapes organised by the brilliant Karima Rebecca Powell of https://letsgo2morocco.wordpress.com/

This May 26th you can join us on the first of these in Marrakech, the stunning high Atlas Mountains and Essaouira to soak up the beauty, art and culture of Morocco. Karima lives in the mountains and is an expert at hosting groups as well as being a talented pastel artist in her own right. 

All levels are welcome, whether you are a  beginning artist or experienced in drawing, sketching and painting. The emphasis will be on exploring new places and enjoying making art. The art that is produced over the week will be a reflection of your experiences in this beautiful place, like a personal journal. This art escape is aimed at those who love discovering new places, who love art, culture and history and who are curious about exploring their creativity in a new environment. I will be introducing you to working with mixed media and handprinting techniques as well as my own approach to watercolours and inks. We will work at your pace with as much support and feedback as each individual needs and wants. 


Our first and last nights will be spent in this beautiful hotel near the medina in Marrakech http://www.hivernage-hotel.com

And  our home in the mountains for 6 nights is http://www.lesjardinsdutoubkal.com

For your information; below is what is included and not included in our first retreat which runs from 26th May to 3rd June 2018

Price: € 950. (850 British Pounds)
Sharing some love.. Sign up and pay your deposit of € 250 (£220) before February 28th and avail of the early bird price of € 875. (£766).

All Deposits must be paid by March 30th. 
Minimum participation 6 people, maximum 10.

Deposits are payable directly to Katherine: kcaddick@aol.com  … the remainder is payable in cash on arrival to Karima. Please check the exchange rate on the day as it varies daily. We accept sterling, euros and dollars. 
Included

* Airport transfers in Marrakech on arrival to the old Medina.

* Accommodation with breakfast in a spa hotel based on 2 people sharing a twin room for one night. Dinner in the Medina on the first night .

* Medina tour in Marrakech with a local guide. Entry fees included. Visit of gardens.
 

* Transport to Imlil in the mountains.

* 6 nights accommodation in a guesthouse full board based on 2/3 people sharing a twin or triple room. 

* Bottled water with meals.

* Workshops with Katherine during the 5 days. Materials that she provides.

* Lunch in a local Berber house.

* Options for local walks with Karima.

* Time out to rest, work, explore…

* Day trip to Essaouira.

* Last night in Marrakech in spa hotel with breakfast 

* Airport Transfers in Marrakech for departures.
Not Included

* Lunch on the day of the Medina tour.

* Lunch on the day trip to Essaouira.

* Soft drinks.

* Tips for staff, guides etc.

* Flights.

* Insurance.
Henna can be arranged for the ladies and we may ask some local musicians to come one of the nights.

Please contact Katherine for a list of recommended materials to bring for the workshops and let her know your level of experience to help her structure the week to suit all participants.
Please contact Karima for anything related to Morocco.

Please inform us of dietary requirements, allergies or preferences…vegetarian pescatarian etc.

Please let Karima have your flight arrival and departure details as soon as you have booked.

Please note; while we encourage you to take photographs, we ask that you respect local culture, always ask permission, and never take pictures of people in particular women unless they agree, most mountain women do not want their images on the internet.. that applies to video also. Drones are illegal in Morocco unless you are a media company with special permissions. This retreat falls during the month of Ramadan, it means it should be nice and quiet and will not affect our program. Meals will be prepared as normal. Please respect the times of prayer for the locals as they will not always be available and also may sleep during the afternoon. Karima will be on hand to take care of you.

Painting the Tales, the book has landed! (Well…almost) 

I sometimes google my own name to see if I have been up to anything interesting, or more accurately to see just what info about me is floating around out there in the ether… And that is how I discovered yesterday morning that my first book is now available for pre-order. 
After the mild panic of completing the manuscript and submitting it only a little later than the rather short deadline ( when they asked me how I needed, I blithely told them 3 months, having never written a book before, and they took me at my word…) There has been a month or so of wondering whether I had perhaps imagined the whole thing. But then there it was, on two well known bookselling sites. 
I sat and stared at the screen for a few minutes, zooming in on the word ‘author’ a couple of times and tittering nervously to myself before the fear kicked in… People were actually going to read my writerly scribblings….Was anyone going to like my writerly scribblings? I got out the manuscript ( yes, a printed copy, I am never totally trustful of sticks and clouds and other nature related names for tech storage) fingered it briefly, grimaced, put it away again. I can’t bear to look at the moment. 
So I will wait until June 1st, and read it along with everyone else. In the meantime if you would like to pre-order direct from me please email me @kcaddick@aol.com.
I will sign it for you (and dedicate it too if you like) and the first 100 copies I send out will also include some extra little surprises, 

2018 Calendar

These are now available to buy, £15.50 each plus £3 p+p in UK ( please email for postal rates to overseas destinations) 

A selection of my favourite work from the past year with some old favourites for company, long format calendars. 16 x 43 cm with plenty of space to write. Signed on the back by request.  please email kcaddick@aol.com for details of how to order 

The Burn

My Son is a writer and was invited to write a piece set in the weirdly marvellous world of Hopeless Maine created by Tom and Nimue Brown. This fiercely visceral and oddly tender tale is the result. I love it. Check out the other fabulous writings on this site and Tom’s brilliant illustrations.

The Hopeless Vendetta

A midnight stroll, paddling. The water is strange here, but I am stranger. It hisses from me as I wet my ankles, as it rises past my calves, vapour twisting into odd shapes that silently howl and disappear. I am almost up to my waist, but I am yet alight, flames submerged in elemental paradox. Small wisp-like things pretending to be fish play about down there, darting from the heat.
It is dark, but I don’t fear it. I provide my own light. This little bay all to myself, illuminated. I drag fingers through the shallows, little more than bone already, creepers of muscle. I look up at the moon with sockets almost vacant. My companion. My challenger. Does it seem different, here? Or have I merely spent so long inspecting its surface that I have begun to create the things I see?
And now, that familiar prickling on the…

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Giving back- working with the Vilostrada foundation

image

Some of you will know that I spend as much time as I can in the Moroccan Sahara, a place I have come to love very much and been inspired by. I have benefited a great deal both personally and creatively from my time there… 

This is a chance for me to benefit the people there in return.

This mixed media portrait of a little girl who is dear to my heart, Najwa, has been printed as a charity card and is available to buy direct from me.

25% of each sale goes direct to the Vilostrada foundation, who work with nomads in the Moroccan Sahara supporting their way of life and helping provide opportunities for sustainable futures  through their ‘education for life! project.

Here is a link to their blog with a little write up about my involvement.

http://www.vilostrada.com/vilostrada/folktale-illustrator-katherine-soutar-caddick-supporting-the-nomads-of-sahara/

And a link to their site for more info: http://www.vilostrada.com

Any remaining monies after costs are paid will go directly to Najwa and her family, this card is all about giving back, every penny will count.

The cards are £3 each plus postage, please contact me to buy by emailing me at kcaddick@aol.com with ‘Najwa’ as the subject.

I am looking for other ways to use my skills to make a difference for a people and place that I love. So watch this space xxx

Thank you 🙂🙂